CV 2021

2021 On The Shore – Act 1 Tate Modern Act 2 Bankside Beach, in collaboration with Ben Okri
Beuys’ Acorns, Tate Modern, London, UK
REBEL, Estuary 2021, commissioned by MetalCulture,Southend, UK
Remember the Future, Orleans House Gallery, London, UK
2020 Courants Vertes, Fondation Groupe EDF, Paris, France
2019 Beuys’ Acorns, Bloomberg Arcade, commissioned by Bloomberg Philanthropies
Culture Declares Emergency, Processional launch of declaring climate & ecological emergency; Somerset House, Southbank Centre, National Theatre, Tate Modern, Globe Theatre, UK
The Long Revolution, Ex-Baldessare-Bedford, UK
2018 Ash to Ash, White Horse Country Park, Maidstone, commissioned by Kent Downs AONB
The Lark Descending, commissioned by Surrey Hills Arts for “Surrey Unearthed”, Dorking, UK
WOMADelaide, Adelaide, Australia
Big Botany: Conversations with the Plant World, Spencer Museum of Art, Kansas, USA
Spellbound: Magic, Ritual & Witchcraft, Ashmolean, Oxford, UK
Art Made Now, RA Summer Exhibition, Royal Academy, London, UK
2017 Vester Allé 7, The Garden: End of Times, Beginning of Times, ARoS Triennial, Denmark
Slow Violence, UHgalleries, University of Hertfordshire, UK
Re/Evolution – Cinnamon Colomboscope, Colombo, Sri Lanka
2016 Conflicted Seeds + Spirit, The David Attenborough Building, Cambridge, UK
Slate Work South, Pembroke Street Arch, Cambridge, UK; Slate Work East, Corn Exchange, Cambridge, UK. Commissioned by the University of Cambridge, UK
FOUND, The Foundling Museum, London, UK
RA Summer Exhibition, London, UK
Manmade, Raversyde, Ostende, Belgium
2015 Radical Action Reaction: The Tree Ceremony, Jardin des Plantes, Musée national d’ Histoire naturelle, Paris, commissioned by COAL.
Beuys’ Acorns: trees on tour (5 city tour – first phase Radical Action Reaction), commissioned by [NA!] Project, France
Stranded, Aberystwyth Arts Centre, Wales, UK
Sunday in the Park with Ed, Display Gallery, London, UK
Portrait +, Fife Contemporary Art & Craft, Scotland
Lens on Life, Lethaby Gallery, Central Saint Martins, London, UK
Vanishing Ice, McMichael Canadian Art Collection, Ontario, Canada
Larsens Lost Water, Wimbledon College of Art, London, UK
2014 Life on Life, Festival Temps d’Image, Le Centquatre-Paris, France
7 000 oaks/ 7000 chenes, La Maréchalerie – Centre d’art Contemporain, Versailles, France
Here Today: Celebrating 50 Years of the IUCN Red List, The Old Sorting Office, London, UK
Lens on Life, Federica Schiavo Gallery, Rome, Italy
Discover The Now, Royal Academy of Arts Summer Exhibition 2014, London, UK
Vanishing Ice, Whatcom Museum, Bellingham, Washington, US
2013 Cunningham, Derry/Londonderry City of Culture 2013, curated by Void, N. Ireland
Beuys’ Acorns and Stranded, Sainsbury Centre for Visual Arts, Norwich, UK, supported with “Considering Landscapes” Study Days
History Trees – Sparked, View Tube, London, UK
Face to Face, Saison Printemps-Ete, Domaine de Chamarande, France
Vanishing Ice, Whatcom Museum, Bellingham, Washington, USA
UNFOLD, The Central Academy of Fine Arts (CAFA), Beijing, China
2012 Inis Bearacháin, public art commission exhibited as part of Tulca Festival of Visual Arts
History Trees, “Mapping the Park”, Olympic Park London 2012, opened in first phase, commissioned by the ODA and supported by Arts Council, England
The 3rd Art & Science International Exhibition and Symposium, Beijing, China
Carbon 13, Ballroom Marfa, Texas, USA
Festival Images des Artes Visuels Vevey, Switzerland
Magic Moments: the Screen and the Eye – 9 artists, 9 Projections Isabella Stewart Gardner Museum, Boston, USA
Beuys’ Acorns, Festival of the World, Southbank Centre, London
Capital Offense; The Ends of Capitalism, Beacon Arts, Los Angeles, USA
Points of View, Isabella Stewart Gardner Museum, Boston, USA
2011 In Context: Public Art. Ecology. KHOJ International Artists Workshop, New Delhi, India
Park Ave + Resident, Void Contemporary Art Space, Derry, N. Ireland
Out of the Blue, “What on Earth” Two Degrees Futures, Artsadmin, London; ICA Short Film Festival, London; Reel Earth, New Zealand
Principia, Piazza del Duomo, Milan, Italy
Ars Apocalipsis: Art and Collapse, Kunsterverein Kreis Gutersloh, Germany
UNFOLD, Liverpool John Moores University; Parsons New School Design Building, New York;
The Glass Curtain Gallery, Museum of Contemporary Photography, Columbia College, Chicago, USA
Crystal World, Royal Society Summer Exhibition, London
Terre Vulnerabili, A Growing Exhibition 2nd/3rd/4th Quarters, Hangar Bicocca, Milan, Italy
2010 On the Field, Mladi Levi International Festival, Llubljana, Slovenia
Terre Vulnerabili, A Growing Exhibition 1st Quarter, Hangar Bicocca, Milan, Italy
Artists in Residence, Dorking, Arts Alive Festival, funded by Arts Council England
Trasparenze Art for Renewable Energy, M.A.D.R.E Napoli; MACRO Testaccio, Rome, Italy
Unfold, Kings Place Gallery, London, UK; University of the Applied Arts, Vienna, Austria; University Gallery, Newcastle; Newlyn Art Gallery, University College, Falmouth, UK.
Art & Climate Change, Cranbrook Academy Museum, Michigan, USA
2009 Strata, Chalkwell Hall, Metal Culture commission, Southend-on-Sea, UK
Earth: Art of a changing world, Royal Academy of Arts, London, UK
Walking Forest, Part of C Words, curated by PLATFORM, Arnolfini, Bristol, UK
Environment 2.0, Futuresonic, Centre for Urban Built Environment, Manchester, UK
Darwin Originals, Natural History Museum, London; Calouste Gulbenkian, Lisbon, Portugal; Shortwave Cinema, Bermondsey, London; Darwin Festival, Cambridge, UK
2008 Twist, Newfoundland Gyratory, Cabot Circus, Bristol, UK
Here and There, Mostra SESC des Artes, Sao Paulo, Brazil
Art & Climate Change, Cape Farewell, Miraikan, Toyko; Fundacion Canal, Madrid; Kampnagel, Hamburg, Germany; National Conservation centre, Liverpool Biennale; The Ship, Natural History Museum, London, UK
2007 FlyTower, Royal National Theatre, London
Myles, Basha, Nath and Alesha, Big Chill, Eastnor Castle, Herefordshire, UK2004
Life Drawing, European Space, 9th Sculpture Quadrennial, Riga, Latvia
Fotosintesi, Metronom, Barcelona, Spain
Green brick, green back, Rice Gallery, Houston, Texas, USA
Bios 4, Centro Andaluz de Arte Contemporáneo (CAAC), Seville, Spain
2005 World Expo, British Pavilion, Aichi, Japan
2004 Pleasure Garden, Nottingham Castle Museum, Nottingham, UK
Je t’envisage: La Disparition du Portrait, Musee de l’Elysee, Lausanne, Switzerland
2003 Dilston Grove, LIFT, Café Gallery Projects and Artsadmin, Bermondsey, London, UK Supernatural (after di Cosimo) and Specific Natures, Chicago Public Art Program, Department of Cultural Affairs, Yates Art Gallery, Chicago, USA
Field Study, Special Commission, National Eisteddfod, Wales, UK
Cara a Cara, Culturgest, Lisbon, Portugal
Agitate: Negotiating the Photographic Process, SF Camerawork, San Francisco, USA
2002 Sunbathers, Aberystwyth Arts Centre, Aberystwyth, Wales, UK
2001 Presence, Special Exhibitions, Isabella Stewart Gardner Museum, Boston, USA
Afterlife, Beaconsfield, London, England
Ex Machina, Neue Gesellschaft fur Bildende Kunst, Berlin; Galerie
Schuppenhauer, Cologne, Germany
Precious, V&A collection at The Millennium Galleries, Sheffield, England
The Unexpected, Sotheby’s, New York, USA
Paradise Now, Tang Teaching Museum, Skidmore, USA; University of Michigan Museum of Art, USA
2000 Zuel di Qua, Creating Sparks, Victoria & Albert Museum, London, England
Paradise Now, Exit Art, New York, USA
Breathless! Photography and Time, Victoria & Albert Museum, London, England
1999 Blasted Oak, Secret Gardens series, Salisbury Arts Festival, England
Out of Sight, Santa Barbara Museum of Art, California, USA
1998 Photosynthesis (Testament), The Icehouse, Photo 98 and HTBA, Hull, England
1997 Floating Field, Akerby Sculpture Park, Sweden
1996 Host, collaboration with D’Avoine Architects, Nuova Icona and PACA, Venice, Italy
The Divide, New Zealand International Festival of Arts, Wellington, New Zealand
1995 Reversing Fields, Hammoniale Festival der Frauen, Hamburg, Germany
Portrait of Ernesta, Artigianato Vivo, Chiesa San Vito, Cison di Valmarino, Italy
Le Ruisseau du Malard, Le Mois de la Photo, Dazibao Gallery, Montreal, Canada
1994 89-91 Lake Street, Perth Festival, Western Australia
UK Today-La Nuova Scena Inglese, Palazzo delle Esposizioni, Rome, Italy
1993 Theaterhaus Gessnerallee, Zurich, Switzerland
1992 Living Skins, Heatwave 2, Serpentine Gallery, London, England
Implanted Spirit, Les Arts Etonnants 2, Palais de Chaillot, Paris
Prima Materia, Arte Domani 3, Spoleto, Italy
1991 Grass House, Hull Time Based Arts, Hull, UK
L’Antre Prise (The Undertaking), Les Arts Etonnants 1, Le Fresnoy, Tourcoing, France
1990 L’ Altro Lato (The Other Side), Laboratorio Aperto, Bussana Vecchia, Italy

Awards, Commissions, Research, Residencies, Prizes

2019 Award for Outstanding Artistic Merit, Stonybrook University, Long Island, NY

2017 Pre-production and site visit WOMADelaide, Australia for exhibition March 2018

R&D phase of the Ash Project commissioned by Kent Downs AONB, supported by Arts Council England and Heritage Lottery Funding

2014 Rose Award for Photography, Royal Academy of Arts Summer Exhibition, London

2013 David Attenborough Building, public art commission, University of Cambridge, working with Nicholas Hare Architects, Museum and Department of Zoology and Cambridge Conservation Initiative

NA! Fund Residency, Le Centquatre, Paris

2012 Wu Guanzhong Prize for Innovation, The 3rd Art & Science International Exhibition, Beijing, China

Art Nature Symposium, NA! Fund, dOCUMENTA 13, Germany

Artists-in-Residence, UCL Environment Institute, London

2011 Mapping the Park, Legacy Commission for Public Art, Olympic Delivery Authority, London 2012

Out of the Blue, “What on Earth” 3 minute film commission for Two Degrees Festival, Artasdmin, London; ICA Short Film Festival, London; Reel Earth Film Festival, New Zealand

Shoal edition launch at the Royal Society, The Multiple Store, London, UK

In Context: Public Art. Ecology. Artist residency, KHOJ International Artists Workshop, New Delhi, India

2010 Molecular Pools 2 – Sir William Dunn School of Pathology, Oxford

2009 ACE Grants for Arts award for Beuys’ Acorns artwork at Royal Academy Earth show

Polar Diamond artwork commissioned for the Royal Academy of Arts exhibition Earth: Art of a changing world

Strata artwork, ACE Grants for Arts award for realisation of artwork at Chalkwell Hall, Southend-on-Sea

Darwin Originals, Darwin’s 200th Birthday Celebrations, Natural History Museum, London

2007 Public landmark sculpture commission, Bristol Alliance, Cabot Circus development, Bristol

Commission by Metal Culture to work with architect Bill Dunster on refurbishment of Chalkwell Hall, Southend-on-Sea, UK

ACE Grants for Arts award for FlyTower artwork, National Theatre, London, UK

2006 Arts Plus award for consultation and research with Maidstone & Tunbridge Wells NHS Trust

Hay-On-Wye Festival in Cartagena, Colombia, residency with Metal and British and Colombian artists

2005 Changing the Climate, conference at Christchurch College, Oxford

Research expedition with Cape Farewell to Svalbard in the High Arctic

2004 NESTA Award for the Cape Farewell expedition to the High Arctic, research expedition

2003 ACE Grants for Arts award for Dilston Grove artwork, London, UK

Research expedition to Svalbard in High Arctic

Molecular Pools, courtyard sculptural design for the William Dunn School of Pathology, Oxford University, England

2000 L’Oreal Art and Science of Colour Grand Prize
Residency at The Isabella Stewart Gardner Museum, Boston, USA

1999 NESTA Innovation/Invention pioneer research award in collaboration with scientists from the
Institute of Environmental Research, Aberystwyth, Wales, UK

Ellipsoid in Void, collaboration with Simon Corder, The Regent Theatre, Hanley Cultural
Quarter, Stoke-on-Trent, England

1998 RSA Art for Architecture design award; in consultation with Llewellyn Davies Associates, the William Dunn School of Pathology, Oxford, England

Presentations, symposiums, residencies, lectures, teaching

2021 Art and Climate in Practice, Chrysalis Arts Development, UK

2020 Declaring Emergency: Museums and the Climate Crisis, The Courtauld, London, UK

2019 Truth, Keynote, Stony Brook University, New York, USA

2018 From Aether to Air, Ashmolean, Oxford
Guest presentation,
Guest presentation, Central School of Speech & Drama, London

Monuments, Central St Martins, MA Applied Imagination, London, UK
Big Botany: Conversations with the Plant World, Spencer Museum of Art, Kansas, US

2017 Consuming the Environment, Conference keynote speakers, University of Gävle, Sweden
Masterclass, International Students, Goldsmiths College, London, UK
Springhead Ashscape Project, Springhead Trust, Dorset, UK
Masterclass, Helpmann Academy, Adelaide, Australia
Masterclass, RMIT, Melbourne, Australia
Masterclass, School of Culture and Communication, University of Melbourne, Australia
Guest presentation, Central School of Speech and Drama, London

2016 Clore Fellows lead presentation
How to be a COPtimist Conference Keynote speaker,
On Energy, leading the Art Faculty, Banff Centre, Canada
Keynote presentation, Environmental Network Funders, Cambridge
Keynote for Strata: Art and Science Collaborations in the Anthropocene, Aberystwyth Arts Centre, Wales

2015 Keynote for Conference on Communications and the Environment, University of Colorado, Boulder
Clim ‘ Art’ Therapy, Festival of Ideas, Anglia Ruskin University, Cambridge
The beast in the studio, bird at sea, Cambridge Science Festival, with Professor Bill Sutherland and Steve Broad, Director of Traffic; Drawing the Line, how art engages with conservation, hosted by Robin Ince
Take the Money and Run? Keynote speech Toynbee Studios, London

2014 What Does Curiousity Look Like? Panel debate, Central St Martins
Can Artists Change The World, Cheltenham Literature Festival, UK
Radical Growth, Human Nature, London Festival of Architecture, Siobhan Davies Dance Studio, UK
Practising in Uncertainty Colloqium, Chelsea College of Arts, convened by Dr Edwina fitzPatrick with guest speakers Ackroyd & Harvey, Justin Carter, David Cross, Tania Kovats and Mark Wilson
Facing Extinction, Gustav Metzger, UCA Farnham, UK
Tree Stories, MA Applied Imagination, Central St Martins, London

2013 Art Means Business, Lumiere Festival, Durham, UK
The Sea is our Masterpiece, Sheringham Theatre, organised by SCVA, Norfolk, UK
Prenez Racine, Musees Gadagne presentation of Beuys’ Acorns, Lyon, France
Between a Rock and Melting Place, presentation at School of Art, Design and Media, University of Portsmouth

2012 Acts of Legacy: Bodies of Memory, Late at Tate Britain, Clore Galleries, London
Festival of the World Summit: Art will change the world, Southbank Centre, London and artist curated Beuys’ Acorns ‘in-conversation’ series with Oliver Morton, Robert Holtom and Edward Parker
Five Images to Change the World, Hay Festival, Ackroyd & Harvey guest panellists with Ed Gillespie of Futerra, chaired by Steve Colling, Onearth
CAN Youth Summit, Boston Latin School, MIT, Boston USA
Planet Under Pressure: Making the Vision Reality 1 – visions of sustainability, London International Convention Centre, Excel, UK
Guest lecture Central School of St. Martins Art & Design, London
Keynote speaker, Oxford Brookes College, Oxford

2011 Talk at Christies Education, London
Art and Alchemy, Trinity College, University of Cambridge
Need for Cultural Shift, Time for Cultural Intervention, World Forum on Enterprise and the Environment (WFEE), Smith School, Oxford. Heather Ackroyd guest speaker, lead David Buckland with Lemn Sissay, Angela Palmer,
KHOJ guest talk

2010 Live Skype keynote speech to TippingPoint Australia, Sydney
ResoVision interview Edge of Extinction, Frieze Art Fair
Visiting Lecturer at UCA, Epsom and Farnham
Royal Academy of Arts Earth exhibition, artist curated ‘in-conversation’ series

2009 Nobel Laureate Symposium, Science Museum, Heather Ackroyd guest speaker and panellist with Antony Gormley, Jude Kelly, Fritzof Capra, Wole Solyinka, Wangari Maathai

2008 B-Open, art and ecology seminar Bergen, Norway. Guest speaker and panellist
TippingPoint at Oxford University, key speaker
Between a Rock and a Melting Place, lecture and workshop at University of Southern Florida, Tampa, USA
Culture and Climate Change, Department of Culture, Media and Sport seminar on shaping policy towards climate change for DCMS Sustainable Development Action Plan.
Poison and Antidote – guest speaker at Whitechapel Gallery and Friends of the Earth programme
The London School of Economics, guest presentation on The Cities Programme, urban environment module.

2007 M.A. Art & Ecology course at Dartington School of Arts, day seminar and workshop
Tipping Point at South Bank Centre, key speakers.
Manchester International Festival, key speaker at Manchester Town Hall
Guardian Debate series Do Art and Politics Mix? Ackroyd & Harvey, Peter Sellars, David Aaronovitch and Jonathan Harris,
Towards a Sustainable Architecture? RIBA Trust/German Embassy Seminar key speakers
London School of Economics, guest presentation on Cities Programme, London, UK

2006 Presentation with David Buckland and Max Eastley at John Moores University, Liverpool, UK
International Youth Summit on Climate Change, Natural History Museum, London, UK
Camberwell School of Arts, London, UK
London School of Economics, guest presentation on Cities Programme, London, UK

2004 Courtauld Institute, London, UK

2003 Tate Britain, London, discussion with artists Ackroyd and Harvey, Zarina Bhimji, Graeme Miller and writer Iain Sinclair, chaired by Sian Ede

2002 San Francisco Institute of Art, SF, USA
California Institute of Art, Dept of Integrated Media, Valencia, Los Angeles, USA
Chelsea School of Art and Design, London, England
Keynote speakers Space Studios, London, England
Residency at the Exploratorium, Life Sciences, San Francisco, USA

2001 Guest lecture, Harvard University, Boston, USA
Guest lecture, Isabella Stewart Gardner Museum, Boston, USA
Guest lecture, Mass Art, Department of Film, Video and Fine Art, Boston, USA
Guest lecture, ASCI Symposium, Cuny Graduate Centre, New York, USA

Selected critical texts and publications

Szeman Imre, Diamanti, Jeff, Energy Culture | Art and Theory on Oil and Beyond, “Capitalism in the Corpse of a Whale, Ackroyd & Harvey, West Virginia University Press 2019, pp. 107-114, ISBN: 9 781949 199123

fitzPatrick, Edwina, Archive of the Trees, “A culture is no better than its woods: Ackroyd & Harvey respond”, publication 2019, ISBN: 978-1-78972-327-4

Artsadmin 1979-2019, 40 x 40, designed and illustrated by David Caines Unlimited, 2019

Gibson, Prue, The Plant Contract: Art’s return to Vegetal Life: 3, Series Editor Michael Marder, published by Brill Rodopi 2018, pp. 56-58. ISBN: ISBN: 978-90-0435303-9

Photo London, ISBN: 9783832732783

Wallace, Marina, Page, Sophie, Davies, Owen, Gaskill, Malcolm, Houlbrook, Ceri, Spellbound: Magic, Ritual & Witchcraft, published by Ashmolean Museum 2018, p.15, 153-159pp ISBN: 978-1-910807-24-8.

Ed. Barry, Peter, Welstead, William, Extending Ecocriticism: Crisis, Collaboration and Challenge in the Environmental Humanities, “Nature Matters”: notes on Ackroyd & Harvey, ecocriticism and praxis by Eve Ropek, pp.91 – 108, published by Manchester University Press 2017, ISBN: 9781784994396

Woodman, Edward, The Artist’s Eye, published by Art/Books 2018, p.125 ISBN: 978-1-908970-41-1

Royal Academy of Arts, 250th Summer Exhibition Illustrated 2018, p.184 ISBN: 978-1-910350-84-3

Royal Academy of Arts, 250th summer exhibition list of works 2018, ISBN: 978-1-912520-13-8

Yudina, Anna, Garden City: Supergreen Buildings, Urban Skyscapes and the new planted space, Thames & Hudson 2017, ISBN-13: 978-0500343265

ARoS Triennial, The Garden: End of Times, Beginning of Times, p. 233. ISBN: 978-3-96098-084-1

Art for the Planet, Cinnamon Colomboscope, “An Artistic Medley” Front cover and feature article, pp.26- 30. August-September 2017/Volume 2/Issue 6. ISSN: 2465-5589

Lenot, Mark, Edition Photosynthèses, Jouer Contre Les Appareils, pp.78-79. ISBN: 979-10-95822-04-2

Topographie de L’Art, Dendromorphies: Créer avec L’Arbre, pp.8-11. ISBN: 978-2-36669-026-2

Herrero, Floriane, Photographie contemporaine, Palette…pp. 82-82. ISBN: 978-2-35832-132-7

Neal, Lucy, Playing For Time: making art as if the world mattered, published by Oberon Books 2015, pp. 41-47, 122, 289. ISBN 978-1-78319-186-4

Found, Foundling Museum, p.14, ISBN: 978-0-9932779-0-0
Antonini, Marco, Mimnniti, Sergio, Gómez, Francisco, Lungarella, Gabriele, Bendandi, Luca, Experimental Photography: A Handbook of Techniques, Thames & Hudson 2015, pp. 184-189. ISBN 978-0-500-54437-2

Heim, Wallace, Margolies, Eleanor, Landing Stages, The Ashden Directory 2014, pp, 110-111. ISBN 978-0992950613

Brown, Andrew, Art & Ecology Now, Thames & Hudson, London 2014, pp. 6, 110-11. ISBN 978-0-500-23916-2

Perry, Gill, Playing At Home, The House in Contemporary Art, Reaktion Books 2014, pp. 9, 187-83, 187-8, 221. ISBN 978-1-78023-180-8

Blazwick, Ivona. Cornelia Parker, published by Thames & Hudson 2013, p. 54.ISBN: 978-0-500-09373-3
Matilsky C. Barbara, Vanishing Ice, Alpine and Polar Landscapes in Art, 1775-2012, Whatcom Musem, Bellingham, Washington, USA. ISBN 978-0-295-99342-3

Buck, Louisa, McClean, Daniel, Commissioning Contemporary Art – A handbook for curators Collectors and Artists, Thames & Hudson 2012, p. 38, 163. ISBN 978-0-500-23898-1

University Tsinghua, Art & Science A Works Collection of the 3rd Art & Science International Exhibition, 094-095 pp. ISBN: 978-7-112-14756-4

Hanway, Bill. History Trees – London 2012 Olympic Park Masterplan and Legacy, Landscape Architecture 03/2012, 137-141. ISSN. 1673-1530

Dibosa, David Dr, Wainwright Chris, Expedition, Bright 9, CCW Camberwell Chelsea Wimbledon, p.14 and 26 ISBN: 978-1-908339-03-4

Tsszczuk, Renata, Smith, Joe, Clark, Nigel and Butcher, Melissa, Atlas – Geography, Architecture and Change in an Interdependent World, published by Blackdog, 148-149 pp. ISBN: 978-1-907317-39-2

McCartney, Greg, Desire and Dust, Abridged 0-23, p. 36

Trasparenze l’Arte per Le Energie Rinnovabili, MACRO Testaccio, Rome. Edizioni Carte Segrete ISBN: 978886490900-0

Evans, Gareth, Stehlikova Tereza, Artesian: Water. Winter 2010 published by Go Together press. “Dark Reactions; Splitting Water”, Ackroyd & Harvey, 30-31pp. ISBN 1757-9473

Buckland, David, Wainwright, Chris, U-n-f-o-l-d A Cultural response to Climate Change, Ackroyd & Harvey 26-31 pp. ISBN: 978-3-7091-0220-6

Buckland, David, Devaney, Edith, and Soriano, Kathleen, Earth: Art of a changing world, essay by Ackroyd & Harvey “Beuys’ Acorns”, 24-27 pp.

Lambertini, Anna, Vertical Gardens, introduction by Jacques Leenhardt, published by Verbavolant ISBN-10: 1-905216-07-6

Kac, Eduardo, Signs of Life, Bio Art and Beyond. MIT Press, Ackroyd & Harvey “Chlorophyll Apparitions” 199 – 210 pp. ISBN: 978-0-262-11293-2

Montagu, Jemima, Open Space, Art in the Public Realm in London 1995 – 2005. Arts Council of England, Central London Partnership, 76 – 79 pp. ISBN: 0728713241/9780728713246

Burning Ice: Art & Climate Change, publication accompanying Cape Farewell group exhibition at the Natural History Museum, London, 2006. 106-114 pp. ISBN: 0-9553109-0-3

European Space. Catalog accompanying Sculpture Quadrennial, Riga, Latvia, 2004. 66-67pp.

Hope, Terry, Extreme Photography, Rotovision SA, 2004. 052 – 057 pp. ISBN: 2-88046-760-8

Davenport, Kimberley, Green brick, greenback, catalog to accompany Ackroyd & Harvey solo exhibition Rice Gallery, Houston, Texas, 22 Jan – 29 Feb 2004. 28p. ISBN: 1-932281-20-7

Bracker, Alison Dr, Field Study, catalog to accompany Eisteddfod Art and Crafts Exhibition, Wales 2003. 36-39 pp.

Morgan, C. Robert, Process in Art; The Means to an Image. Bowen, Dore, Flora Fauna Photo, Camerawork Volume 30, Number 1, Spring/Summer 2003, pp. 4-27

Hill, Penelope, Jardins d’aujourd’ hui en Europe: Entre Art at Architecture, Anvers: Fonds Mercator, 2002. 49, 125, 226 pp. ISBN 90 6153 4941

Forbes, Leslie, catalog to accompany Sunbathers Ackroyd & Harvey solo exhibition, Aberystwyth Arts centre, Wales, Feb 19 – March 24, 2002. 39 pp ISBN: 1-872609-91-0

Heiferman, Marvin, Kismaric, Carole, catalog to accompany Paradise Now: Picturing the
Genetic Revolution published by The Tang Museum at Skidmore College, USA 2001, 30-31 pp.
ISBN # 0-9708790-2-4

Bennett, Oliver, Cultural Cultivation, guide accompanying exhibition Molecular Pools Ackroyd & Harvey, William Dunn School of Pathology, Oxford University, 2001.

Warr, Tracey, Passing Presence, catalog accompanying Ackroyd & Harvey solo exhibition Afterlife. Beaconsfield, London, May 15–June 10, 2001.

Lange, Andre, Ex-Machina—About the Deconstruction of Photography, catalog accompanying group exhibition Ex- Machina. Neue Gesellschaft für Bildende Kunst, Berlin, 2001, 64 pp.

Barnes, Martin. The Chlorophyll Apparitions of Ackroyd and Harvey. Aperture, no.165, November 2001, pp.66-71

Barnes, Martin. Flashback: the Photography of Dr. Harold Edgerton. Interview with Gus Kayafas and Ackroyd and Harvey. Aperture, no.158, 2000, pp.22-28; 60-61

Ede, Sian, Strange and Charmed, Science and the Contemporary Visual Arts. Lisbon: Calouste Gulbenkian Foundation, 2000. 200 pp. ISBN 0-903319-87-X.

Barnes, Martin. Breathless, Photography and Time. Aperture 158 (Special Millennium Issue, 2000). 80 pp. ISBN 0-89381-890-9.

Lange, Andrea. “Heather Ackroyd/Daniel Harvey.” European Photography 70 (2001): pp. 24–27.
Childs, Nicky, and Jeni Walwin, eds. Split Second of Paradise. London: Rivers Oram Press, 1998. 158 pp. ISBN 1 85489 098 0.

Gillett, John, and Clare Melhuish. Deux Ex Machina and Ceremonies of the Little House. Catalog accompanying exhibition Host: Heather Ackroyd, Daniel Harvey, Pierre d’Avoine. Nuova Icona Gallery, Venice, September 8–29, 1996, co-curated by the Public Arts Commissioning Agency. 34 pp. ISBN 88 900111-1-4

Smith, Allan. The Divide. Catalog accompanying solo exhibition at the New Zealand International Festival of the Arts, Wellington, 1996. 16 pp.

Ackroyd, Heather and Daniel Harvey; Sylvie Belanger; Chris Bucklow; Christiane Desjardins; Denis Farley; David W. Hazel; Stephanie Beaudoin; André Clement; Nicole Jolicoeur; Yvonne Lammerich; Laura Lefave; Sylvie Parent; Sonia Pelletier. De La Lumière. Catalog accompanying group photographic exhibition. Dazibao Gallery, Les Opiscules, Montreal, 1995.

Selected Articles and Reviews

Jensen, Liz, Resurgence & Ecologist, “Getting Word Out”, Issue 328, Sept/October 2021, pp. 4-5
Souter, Anna, Resurgence & Ecologist, “Growing Trend”, Issue 328, Sept/October 2021, pp. 52-54
De Wachter, Ellen Mara, “Seeds of Change”, Tate ETC. Issue 52 – Summer 2021, pp. 20-21
Ackroyd, Heather, Resurgence & Ecologist, “Culture Shift”, Issue 321 July/August 2020
Ackroyd, Morris, Jane, Art Agency, Partners, “How to combat climate change: Seven ways the art world can play its part”, 5 March, 2020

Black, Holly, Art Society Magazine, “The Artist-Activists”, Interview/Private View, Cover photo and p.20-25, Summer 2019

Sinkewicz, Alison, “Art At The End of The World”, In Studio, Banff Centre for Arts and Creativity (Fall 2019 / Winter 2020), pp.15 – 21

Loiseau, Benoit, Financial Times, “Can the arts help save the planet?”, 26 September 2019

Buck, Louisa, The Art Newspaper, “Ackroyd & Harvey unveil 52 Beuysian Oaks in centre of London as Tate declares climate emergency”, 17 July 2019

Buck, Louisa, The Art Newspaper, “Green horsewoman of the environmental apocalypse declares climate emergency at Tate”, 4 April 2019

Cook, Gary. The Ecologist, “Ash to Ash: a new artwork imagines the history of trees”, 17 Sept 2018
Financial Times (UK), Friday, September 14, 2018, pages from 2 to 2
Heather, Resurgence & Ecologist, “Culture Shift”, Issue 321 July/August 2020
Gerlis, Melanie, “Climate For Change”, FT Weekend Collecting, 2 December 2017, p. 13
Glasius, Maria Juel. Kultur, Morganenavisen Jyllands-Posten, 3 June 2017, Front page and p. 16
L’ Art <>, pas si facile, Culture & Idées, Le Monde, 13 September 2014
ParisArt. 7 000 oaks/ 7000 chenes, La Marechalerie, June 2014
Art Collection + Design, Feature article, Feb 2013, pp. 114-123
Hastings, Sophie. “Just What The Collector Ordered”, Life & Arts, Financial Times 23 June 2012, p3
Buck, Louisa. “Trees of Knowledge”, The Art Newspaper, No. 235, May 2012
Nature Climate Change, front cover photograph, Vol. 2 No 3, March 2012
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Sookes, Alistair. “Turf at the Top”. Daily Telegraph (16 April, 2007).p. 16
Dyckhoff, Tom. “When the Going Gets Turf”. The Times, Arts Times 2 (8 may 2007). P. 15
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Ingrams, Elizabeth “Taking the art out into the garden.” The Japan Times (June 8, 2005): p. 11.
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Forbes, Leslie, “Landscapes of the Imagination.” Art Review (June 2004 Vol. L1V): pp. 64-69
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Coomer, Martin, “ Talent – My name is…” Time Out (September 24 – Oct 1 2003): pp.6-7.
Salter, Kate, “It Grows On You.” The Sunday Telegraph Magazine (14 September 2003):pp.36-38.
Kennedy Maeve, “ Bull Shoot.” The Guardian (4 Aug 2003): p. 6.
Stamets, Bill, “On Exhibit.” Chicago Reader (18 July 2003): p.34.
Osgood, Charles, “Watching Grass Grow.” Chicago Tribune (10 July 2003): Section 5, p.5.
Gaston, Diana. ” Review. ” Art in America (June 2002)
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Pinsent, Richard. “Not Long Now.” The Art Newspaper no. 114 (May 2001): p. 14.
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